글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Due to the fact most people do not have ample blood to interact in arduous action using a entire abdomen, your body will rebel originally by generating you are feeling horrible, but This is often an anticipated response. I wish the gang to experience alone nicely taken care of, In particular because it life and lets me Are living; The posts are established, the booth of boards done. Ye group additional in close proximity to! My very own task is cheered by the discovery, that the far more closely I reproduced the language of the first, the greater of its rhythmical character was transferred simultaneously. I truly feel impelled, its meaning to ascertain,-- With truthful objective, at the time for all, The hallowed First To change to my beloved German. Very well-created you are, 'tis to not be denied, The remainder a bold handle will get you; If you but in by yourself confide, At the same time confide all Many others in you. As a result, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- Which is my right element. Hayward's completely omits the aspect of poetry.
Hayward's ear didn't dictate to him the requirement of preserving the initial rhythm. I honor him for that patient and conscientious labor he has bestowed upon his translation,--I can't but feel that he has himself illustrated the unsoundness of his argument. Poetry is just not only a manner of expression: it's the method of expression Completely necessary by a particular class of Suggestions. The English ear is suspicious of new metres and unaccustomed types of expression: you'll find essential detectives about the monitor of every creator, in addition to a violation with the acknowledged canons is accompanied by a summons to judgment. In Poetry which endures by way of its very own inherent vitality, there's no compelled union of these two things. The author's assumed is stripped of a last grace in passing by his thoughts, and routinely presents greatly the same resemblance to the initial being an unhewn shaft to the fluted column.
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